TO AVOID - All Gods Are Gone
Reads: 827 times
70%
Berlin-based TO AVOID has been redefining the dark electro scene since their formation in 2000, blending late '80s EBM with '90s melodic dark electro, and adding a modern, genre-crossing twist. Their live performances are electric—having seen them at the NCN Festival, I can confirm their stage presence channels the raw, unrelenting force of their music. The intensity is palpable, not just heard but physically felt, as each track’s pulse drives the crowd deeper into their dark, industrial atmosphere.
Their upcoming album, "All Gods Are Gone," releasing on December 6th, is shaping up to be a monumental addition to the scene. From what I’ve heard so far, including the tracks "Trust" and "1989," TO AVOID strikes an impeccable balance between aggression and precision. The beats are forceful yet calculated, with gritty, distorted vocals weaving through hypnotic rhythms that add to the infectious energy of their sound. It’s intense and unapologetically danceable—a rare combination that TO AVOID executes with finesse.
"Trust" stands out with its relentless drive and punchy beats. The synths grind forward with urgency, and the distorted vocals bring an edge that keeps the momentum tight. It’s a track that refuses to slow down—a constant push that never lets up.
Then there’s "1989," which surprises not only with its sonic punch but also with its accompanying music video. The track itself moves like a machine in overdrive, with fast-paced, energetic melodies. The video’s juxtaposition of a ballerina’s graceful movements against the song’s hard-hitting beats creates an unexpected but beautiful contrast, reflecting TO AVOID’s knack for combining aggression with refinement.
With 13 tracks, All Gods Are Gone delves into heavy themes like crime, corruption, war, and environmental destruction. It’s a relentless sonic journey, musically and emotionally intense. Fans of intricate EBM production will appreciate the detailed layers, reminiscent of FRONT 242 at their peak, while the darker, harsher elements evoke early SKINNY PUPPY and the cold, relentless beats of VOMITO NEGRO. For those seeking a touch of melody amidst the chaos, hints of GRENDEL’s emotive style seamlessly integrate into TO AVOID's more aggressive tendencies.
The album doesn’t stop there. A stellar lineup of remixers—including HAUJOBB, PORTION CONTROL, MILDREDA, GETTNER, and CHROME CORPS—brings fresh interpretations to TO AVOID's tracks, adding new dimensions to their already dynamic sound. These remixes further prove TO AVOID's versatility and their ability to resonate across different styles within the genre.
In summary, All Gods Are Gone perfectly encapsulates TO AVOID's signature mix of dark, body-shaking beats and atmospheric, danceable undertones. The distorted vocals, driving rhythms, and complex soundscapes draw you in deeper with every listen. Based on what’s been released so far, this album is set to be a standout in the dark electro scene this year, and I’m eagerly anticipating the full release.
Mark your calendars for December 6th—this double-CD digipak is poised to be one of the year’s defining releases.
Their upcoming album, "All Gods Are Gone," releasing on December 6th, is shaping up to be a monumental addition to the scene. From what I’ve heard so far, including the tracks "Trust" and "1989," TO AVOID strikes an impeccable balance between aggression and precision. The beats are forceful yet calculated, with gritty, distorted vocals weaving through hypnotic rhythms that add to the infectious energy of their sound. It’s intense and unapologetically danceable—a rare combination that TO AVOID executes with finesse.
"Trust" stands out with its relentless drive and punchy beats. The synths grind forward with urgency, and the distorted vocals bring an edge that keeps the momentum tight. It’s a track that refuses to slow down—a constant push that never lets up.
Then there’s "1989," which surprises not only with its sonic punch but also with its accompanying music video. The track itself moves like a machine in overdrive, with fast-paced, energetic melodies. The video’s juxtaposition of a ballerina’s graceful movements against the song’s hard-hitting beats creates an unexpected but beautiful contrast, reflecting TO AVOID’s knack for combining aggression with refinement.
With 13 tracks, All Gods Are Gone delves into heavy themes like crime, corruption, war, and environmental destruction. It’s a relentless sonic journey, musically and emotionally intense. Fans of intricate EBM production will appreciate the detailed layers, reminiscent of FRONT 242 at their peak, while the darker, harsher elements evoke early SKINNY PUPPY and the cold, relentless beats of VOMITO NEGRO. For those seeking a touch of melody amidst the chaos, hints of GRENDEL’s emotive style seamlessly integrate into TO AVOID's more aggressive tendencies.
The album doesn’t stop there. A stellar lineup of remixers—including HAUJOBB, PORTION CONTROL, MILDREDA, GETTNER, and CHROME CORPS—brings fresh interpretations to TO AVOID's tracks, adding new dimensions to their already dynamic sound. These remixes further prove TO AVOID's versatility and their ability to resonate across different styles within the genre.
In summary, All Gods Are Gone perfectly encapsulates TO AVOID's signature mix of dark, body-shaking beats and atmospheric, danceable undertones. The distorted vocals, driving rhythms, and complex soundscapes draw you in deeper with every listen. Based on what’s been released so far, this album is set to be a standout in the dark electro scene this year, and I’m eagerly anticipating the full release.
Mark your calendars for December 6th—this double-CD digipak is poised to be one of the year’s defining releases.
1. Intro
2. Trust
3. Fireball
4. Driver
5. All Gods Are Gone
6. Deranged
7. Die In Your Life
8. Ambitious
9. 1989
10. The End
Release date: 06.12.2024
Label: Alfa Matrix
