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![]() 80%Ishtar - Ombre2012-11-19 / fiuri / Reads: 2423Releasing ‘Ombre’, by the Italian artist hidden under the name Ishtar, was no coincidence. The mentioned musician has been present on the scene for at least a decade. Another matter is the character of the projects he has been a part of, which include symphonic black metal and ambient black... |
![]() 100%Iszoloscope - The Edge of Certainty2012-03-04 / fiuri / Reads: 2519The year 2010 was a fertile one for Iszoloscope fans. New LP, followed by two discs with remixes and a few tracks previously released as singles or on various compilations, was indeed a hefty portion of music. And despite the fact that I’m not the biggest fan of remixes of... |
![]() 25%iVardensphere - Scatterface2011-08-30 / Jo Pawley / Reads: 1854I thought I'd check out this one on recommendation by a friend and seeing as I already had one track on my Ipod and didn't think it was too bad I thought 'Why not! What's the worst that could happen!' IVardensphere’s goals are simple: the creation of music that will... |
![]() 40%Izotop666 - Spiritual Procreation Manifest2006-01-16 / Nathashah / Reads: 3706Want it or not, while taking the CD to our hands, we imagine its content. In spite of our will we have the image of the music hidden under the cover. I'm not going to enforce the consequence, the agreement of the image, the cover, with the sounds of particular... |
![]() 70%Jazzanova - The Remixes 1997 - 20002005-10-10 / Nihil / Reads: 3648In spheres interested in [electro]jazz words ‘mixed by Jazzanova’ are a synonym of perfection. Since it appeared to the public it has been becoming more and more popular and sought-after. And here their album ‘best of’ is released – ‘Jazzanova – The Remixes 1997-2000’. Chosen by the musicians personally pieces... |
![]() 70%JE T'AIME – Useless Boy2025-01-26 / khocico / Reads: 1079Having first encountered JE T'AIME during their debut album era, I was immediately drawn to their electrifying live performances and unapologetic edge. Over time, their subsequent releases carried a provocative, almost defiant tone, as though daring their audience to keep pace with their evolution. Now, with Useless Boy, the Parisian... |